Founded in 1986, City Lore’s mission is to foster New York City – and America’s – living cultural heritage through education and public programs. We document, present, and advocate for New York City’s grassroots cultures to ensure their living legacy in stories and histories, places and traditions. We work in four cultural domains: urban folklore and history; preservation; arts education; and grassroots poetry traditions. In each of these realms, we see ourselves as furthering cultural equity and modeling a better world with projects as dynamic and diverse as New York City itself.
At City Lore, we abide by the definition set forth by Don Adams and Arlene Goldbard for cultural democracy, a society which allows many cultural traditions to co-exist on an equal footing and encourages active participation in cultural life, not just passive consumption of cultural products. We seek to foster webs of cultural meaning, linking past and present through tradition and creativity, encouraging the process whereby human beings, as sociolinguist Dell Hymes suggests, “shape deeply felt values into meaningful forms.”
Just as New York City is one of the so‑called “high culture” (e.g., opera, classical ballet) centers of the world, so is it one of the richest and most diverse centers of traditional culture. New York City may well boast the most diverse aggregate of ethnic groups in the world. We work with a wide range of communities along with grassroots, folk and traditional artists. Yet, we do not see ourselves simply as presenters or documenters of these artists and communities, but as their collaborators. They are not our “informants” but our partners. We work collaboratively with marginalized, folk, ethnic and community artists to accomplish shared ends. By embracing different aesthetics for the creation of art, we seek to democratize the arts, and foster a wider range of communities, artists, and forms of artistic expression.
City Lore is city-wide
Often described as New York City’s “Museum without Walls,” City Lore’s galleries are the City itself. We work in all five boroughs and beyond, going into communities rather than asking them to come to us.
City Lore is a decidedly collaborative organization
In our key programs, we collaborate across disciplines to give our ideas and programming far greater reach and relevance. Collaborators include the Municipal Art Society (for Place Matters); the Gotham Center for New York City History (for our Teaching American History initiatives); the New-York Historical Society (for our work on the shrines and memorials following 9/11, and the exhibit Nueva York), and Bank Street College of Education (for our Teachers Center). We were the original fiscal sponsor for Dave Isay’s radio programs, and served as consultants on the creation of StoryCorps. In addition, we often partner with a wide range of small community organizations including Eddie Rosa’s festival of Puerto Rican décima music for whom we have served as fiscal sponsor, and the casita or social club, Rincon Criollo, built on a vacant lot in the Bronx.
We also work closely with community organizations and artists to develop ideas collaboratively. We serve as the fiscal sponsor for the Triangle Shirtwaist Fire Coalition. We sponsored Jennifer Callahan’s documentary on the The Bungalows of the Rocakaways and coproduced the documentary DeAf Jam, directed by Judy Lieff, highlighting the remarkable poetry and storytelling of an increasingly marginal community: the community of the Deaf.
City Lore is a “living archives.”
The “backstage” for our theater — the city itself — are our offices on the corner of First Street and First Avenue in New York. Beyond our desks, phones, and office furniture, we house City Lore’s living archives. These archives — including over 50,000 images, hundreds of oral histories, and traditional music and poetry performance tapes — are not simply a repository. They are the motherlode that all of our programs draw upon to create our “Museum without Walls.” The archives come alive in key ways. They are a repository, a resource, and an ongoing documentation project that grows out of and provides the underpinnings for all of our public programs including the Place Matters Awards, the People’s Hall of Fame, and our forthcoming exhibition on Puerto Rican folk and popular art forms in NYC. Increasingly, our archives have been given a public face on our encompassing story map of New York, City of Memory. City Lore is a part of a national initiative with the American Folklore Society, funded by NEH, to digitize and archive folklore materials so as to be compatible with the Library of Congress, which may serve as a future repository.
City Lore combines the Arts and Humanities
All of our programs are grounded in ethnographic and historical research. Our staff is comprised of talented cultural activists with advanced degrees in history, folklore, arts education, anthropology, ethnomusicology, and preservation.
City Lore believes in the democratizing potential of the worldwide web
City Lore’s City of Memory site is a participatory, dynamic story map of the city. It features highlights of City Lore’s extensive documentation, invites viewers to post their own stories, and enables us to work closely with communities to place themselves “on the map.” Check out our Youtube channel for a sample of our extensive documentation of New York City communities.
City Lore has an abiding commitment to diversity
City Lore’s staff and board are ethnically diverse. They include representatives from a number of the communities served by our projects – African American, Asian, Jewish, European, and Latino. All of our staff members share a life-long commitment to the City’s communities, and they have roots in all five boroughs. City Lore’s teaching and performing artists are from a wide range of cultural backgrounds: Palestinian, Egyptian, Greek, Nigerian, Mexican, Haitian, Brazilian, Dominican, and Irish, among them. By embracing different aesthetics for the creation of art, we help foster the creative expressions of a wide range of communities.
City Lore is an activist organization
City Lore advocates for street performers and ethnic clubs in New York City. Our “Know Your Rights!” guide for street performers is updated and widely used. Our Place Matters program advocates for local landmarks and cherished sites endangered in the ebb and flow of New York City’s rapidly changing cultural landscape. We also take on select causes as a fiscal sponsor with no administrative fee including Marjorie Eliot’s longstanding Sunday jazz concerts in her home, an effort raise funds for medical emergencies for early pioneers of hip hop, and a recent effort to assist victims of the Japanese earthquake.
City Lore is responsive to the City’s Changing Demographics
City Lore’s programs target schoolchildren, the elderly, and members of New York’s inner city diverse ethnic populations. We are particularly proud of the education program we have developed for New York City public schools. Recently, our education program is responding to requests by public school teachers and principals in Bay Ridge with swelling Arabic student populations for artist residencies with Middle Eastern artists, and requests from two schools in Queens with growing Himalayan populations for a residency in Tanka painting from Nepal and Tibet. We work with Mexican, Ecuadorian, Egyptian,Ivory Coast, Cuban, Haitian, Peruvian, South African, and Brazilian artists, among many others, on developing school residencies. We also provide artist training for these artists, many of whom are not familiar with NYC school settings. Currently, our grant from the U.S. Department of Education enables us to work with 7 schools in northern Queens, in some of the most ethnically diverse communities in the country.
City Lore has an engaged Board of Directors
Our 13 member board includes CEOs, lawyers, and publicists. Every member contributes financially to the organization, and we have a strong give-or-get policy in place.